Rental

KITS & BUNDLES USED SALE

NODO Inertia Wheels 2-Axis KIT

Gimbals & Crane

€ 50.00 +iva

AGGIUNGI AL PREVENTIVO

Includes

  • Inertia Wheels 2-Axis System

  • Third Axis Wheel

  • 4in Third Axis Cable

  • 6ft Third Axis Cable

  • Accessory Bracket

  • Wireless Receiver

  • 30v AC-DC Power Supply and Cable

  • D-Tap Power Cable

  • XLR Power Cable

  • Foam (fits SKB 2011-8 Case)

  • 2x Com cable for connection to Freefly Gimbals

  • 2x S-Bus Cable for connection to DJI and S-Bus Gimbals

  • 20ft Hardwire Cable

  • 2.4 GHz TX Antenna
    900 MHz TX Antenna
    900 MHz RX Antenna

A breakthrough in operator controls for MoVI, Ronin, eMotimo and other remote heads.

The Inertia Motors™ combine Digital Mass and Digital Drag to personalize the controls to suite each individual operators needs. For the first time ever, the feeling of weight in the control wheels is adjustable with the simple turn of a dial. Nodo Film’s proprietary, patent-pending, Inertia Motors™ creates inertia to precisely simulate heavier or lighter wheels.

Features:

  • Proprietary Adjustable Weighted Wheels

  • Wireless Long-Range Camera Controller

  • Compatible with DJI Ronin, MōVI, eMotimo and many more

  • Assignable 3rd Axis Wheel

  • 1 Mile Wireless Range

  • 2000ft Cabled Range

  • 10ms latency

  • Built in Transmitter on 434MHz, 868MHz, 915MHz

  • Receive on 2.4GHz

  • Built-in frequency scanner

The THIRD Axis. Everyone wants to roll the camera, so we’ve provided a Third Axis wheel. Use it either as a classic mounted wheel or, for the quick shot, a simple hand unit.

More dimensions of control. Assign more than just roll to the Third Axis. For MōVI’s with the Freefly API available, control focus, iris or zoom. 

Handheld simulation or shake effects. The Inertia Wheels have built-in Effects. Imagine a shot starting out as a handheld chase scene that transitions in shot to a buttery smooth gimbal shot. Or add some selective vibrations in camera to that car scene. And you can assign control over these Effects to the Third Axis to dial the effects up, down, or completely out mid-shot. One person can focus on framing, while the other focuses on the