The kit includes:

• N.1 ALEXA 35 Camera Body K1.0039373
• N.1 ALEXA 35 Cine License 10.0043678
• N.1 ARRI LPL Mount (LBUS) K2.0018983
• N.1 ARRI PL-to-LPL Adapter K2.0016936
• N.1 Balance Utility Dovetail BUD-1 K2.0034180
• N.1 B-Mount Battery Adapter K2.0023751
• N.1 Multi Viewfinder MVF-2 K2.0020916
• N.2 Cable VF Right Angle (0.5m/1.5ft) K2.0042857
• N.1 Camera Power Cable Straight 2m/6.6in KC-50 K2.75007.0
• N.1 Power Distribution Module PDM-1 K2.0024101
• N.1 Production Support Set - Top KK.0041533
• N.1 Production Support Set - Side KK.0041534
• N.1 Production Support Set - Bottom (19mm) KK.0041535
• N.1 Production Support Set - Bottom (15mm) KK.0041536
• N.2 Codex Compact Drive 2TB (CB16-2048) K2.0023447
• N.1 Codex Compact Drive Dock (TB3) K2.0034320
• N.1 Arri Power Supply Light 24V K2.0034493
• N.4 BEBOB B290CINE B-Mount® Li-Ion High Load 14,4V / 28,8V / 285Wh
• N.2 BEBOB B-Mount® Battery 14,4V / 28,8V / 86Wh
• N.1 BEBOB 4-channel B-Mount® simult. Charger
• N.1 ARRI Case for ALEXA 35 K2.0040234

includes also ARRI Hi-5 Hand Unit Long Range Set (3 Motors):

• N.1 Hi-5 Hand Unit Body Kit KK.0039973
• N.1 Radio Interface Adapter RIA-1 Set KK.0039980
• N.2 RF-EMIP Radio Module 2400 MHz DSSS K2.0033702 
• N.2 RF-2400 Radio Module 2400 MHz FHSS KK.0039984
• N.3 Li-Ion Battery Pack LBP-3500 K2.0036022  
• N.1 LBP Battery Charger K2.0039874
• N.1 Hi-5 Neck Strap K2.0039959
• N.1 Hi-5 Hand Strap K2.0039958
• N.1 Hi-5 Monitor Bracket K2.0037880
• N.3 cforce mini Motor Unit K2.0006354
• N.3 CLM-5/cforce mini Clamp Console 19/15mm K2.0006176
• N.3 CLM-5/cforce mini Gear m0.8/32p K2.0003753 

ALEXA 35: The New Super35 Gold Standard
ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4K.6 sensor that delivers 2.5 of additional dynamic range, improved performance in low light, and richer, more accurate color reproduction. This Production Set combines the ALEXA 35 camera with a Cine License, both an LPL mount and a PL to LPL adapter, a B-mount battery plate, a PDM-1 Power Distribution Module, a cage-type set with both 19mm studio and 15mm LWS rod supports, a baseplate, and a dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.

4.6K Super35 ARRI ALEV 4 CMOS Sensor
Key to the ALEXA 35's amazing image quality is a new 4.6K Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.

Video Recording Formats
In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.

Stray Light Suppression
Stray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.

High ISO Camera
With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.

REVEAL Color Science
The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.

• A new debayering algorithm combines with the ALEXA 35’s impressive processing power to create cleaner-edged images that are perfect for compositing work.
• The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.
• The AWG4 camera color space is larger than Rec. 2020 but bypasses "virtual" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.
• A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.
• New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.
• The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.

Versatile Lens Choices

• Comes with both an LBUS LPL mount and a PL to LPL adapter, providing compatibility with a wide array of cine-style lenses.
• Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super35, and large format options.
• The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.

Full Feature Set in a Compact Form
At 8 x 6 x 5.8", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.

Interfaces

• Left display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display "screensaver", creating a quick visual reminder for any stop compensation needed.
• Connectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5/3/6/12G-SDI outputs with a return option on the second one, timecode in/out, and both 12 and 24V accessory output ports.
• Ethernet: An Ethernet port offers real-time streaming of metadata for use in mixed-reality productions (MRP).

Audio Options
The ALEXA 35's audio options include two internal microphones, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.

Dedicated Accessories
Mechanical accessories in this 19mm Production Set include dedicated top, side, and bottom components like an EVF support, a top plate and top handle, a bridge plate adapter, side brackets, and a baseplate and dovetail system.
Electronic accessories include the Multi Viewfinder MVF-2 and PDM-1 power distribution module, which are part of this set, and the separately available AEM-1 audio extension module with one AES3/AES42 and two mic/line mini-XLR inputs.

24V B-Mount Battery Power
The 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. A PDM-1 Power Distribution Module is also available separately for adding seven more accessory power ports.

ARRI Tools and Apps
Make both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files for SDR and HDR conversions and to export Apple ProRes, OpenEXR, and TIFF files.

Hi-5 Hand Unit: Sophisticated Lens Control
The Hi-5 Hand Unit Basic Set from ARRI offers advanced wireless multi-axis camera and lens control via a large knob, instant reconnection, a high-contrast touchscreen LCD, powerful signal, and a modular, highly customizable design. Included with the set are the Hi-5 body, a Bluetooth dongle, a Smart focus ring, the RF-EMIP Radio Module 2400 MHz DSSS, two LBP-3500 battery packs, an LBP battery charger, two LBP-3500 battery packs, an LBP battery charger, a hand strap, a neck strap, and a screen protector.

Compatibility

• ALEXA 35, ALEXA Mini LF, ALEXA LF, and ALEXA Mini cameras
• ALEXA SXT W and ALEXA 65 cameras
• UMC-4, RIA-1/RF-EMIP control units
• Focusbug Cine RT 
• cforce mini RF using the separately available RF-EMIP radio module

Flexible Connectivity

• Uses optional radio modules for different regions
• Optional control licenses for RED, Panavision, and Sony cameras
• 4-pin LBUS ports for hardwiring to your ARRI camera for lens control
• Includes a Bluetooth dongle for configuring and updating using ECS Sync iOS

2400 MHz Radio Module

• The included 2400 MHz radio module enables you to connect wirelessly with the RIA-1 adapter
• Provides 14 channels and is backward compatible with white-coded radio EMIP modules

Hand Unit Features

• Offers user-defined function buttons
• Customizable focus knob operation
• Use with the included focus ring
• Optional pre-marked Smart focus rings with electronic detection
• Waterproof design can be used in all weather environments

Power

• Powered using the included LBP-3500 Li-Ion batteries
• Provides hot-swapping battery support

ARRI RF-EMIP Radio Module 2400 MHz DSSS
The RF-EMIP Radio Module 2400 MHz DSSS from ARRI is an exchangeable radio module designed for use with the Hi-5 lens control hand unit and the Radio Interface Adapter RIA-1. This module offers point-to-multipoint communication for connecting up to three hand units with one camera.

Compatibility

• ARRI Hi-5 hand unit and Radio Interface Adapter (RIA-1)
• Backwards compatible with white-coded ARRI radio (EMIP) devices

Point-to-Multipoint Communication
Use up to three hand units with one camera

DSSS Modulation
Direct-sequence spread spectrum modulation reduces interference from other devices

Swappable Design
Exchangeable design can be swapped out for other radio modules

ARRI RF-2400 Radio Module 2400 MHz FHSS 

The RF-2400 Radio Module 900 MHz FHSS set from ARRI consists of two interchangeable radio modules designed for use with the Hi-5 Lens Control Hand Unit and the Radio Interface Adapter RIA-1. These modules use frequency-hopping spread spectrum (FHSS) technology to provide a long-range link in challenging RF environments.

These long-range, point-to-point modules are certified for global use.

Compatibility

• ARRI Hi-5 hand unit
• ARRI Radio Interface Adapter (RIA-1)

Long-Range, Point-to-Point Link

• Enables long-range lens control
• Point-to-point operation
• Certified for global use

FHSS Modulation

• FHSS (frequency-hopping spread spectrum) modulation
• 100 channels

Point-to-Multipoint Communication
Use up to three hand units with one camera in network mode

Swappable Design

• Exchangeable design can be swapped out for other radio modules
• Orange color-coded antenna ring